For writers, the ability to read their own work well in front of an audience has become, more than ever, an essential part of their practice. Today, writers

This reflection comes from little everyday experiences. I recently came across a quote by the French painter Dominique Ingres: “Better grey than garishness.”

some minds take pleasure in counterpoints
absently answering some deep call
they move in a hushed, ice-clear trance

Like a temple in our eyes
infinite in a tendential sense
in a most intimate attitude.

A spider builds with nothing…spit, the dust, some geometry. Ants, on the other hand, turn survivors around the room

Henri Bergson’s philosophy of time of duration (la durée) set out to rescue lived experience from the mechanical nature of the clock…

One day I noticed that what I was writing concerned him more and more and though in an indirect manner, it seems to have no other purpose but to reflect him.

Church of San Marco. Sunday 11th August 04.40pm Behind – A cane tapping slowly on the floor; coming forward…heavy breathing

Tystnaden is a trilogy of works: a text, a performance and a sound piece that takes Ingmar Bergman’s Silence as its starting point. The film centers around miscommunications

The infamous scene of maggot-ridden meat in Sergei Eisenstein’s Battleship Potemkin (1925) functions as both material document and political metaphor.

Skin and ground are both important parts of our perceptions, they both imply contradictory physical, psychological and emotional states

Almost a being without boundaries, spared and more purely inner, very strangely tender and illuminating itself up to the edge, is such a thing known to us?

“Here we had no idea where to go,” says Lai-Yu Fai in a voice over, the image in black and white.