DESCRIPTION

These drawings of work unfolds within a void black, not as absence, but as potential. Across this field, white traces emerge: thin as breath, sharp as silence. Each mark operates as a threshold, an outline without enclosure—hovering between geographies, both real and imagined. Terreno vago - vacant land, uncertain terrain - becomes a space where form resists completion and meaning remains suspended. The drawings evoke the unfinished memory of architectures no longer rooted in place, articulating a visual grammar that suggests rather than defines.

Sound extends this sense of suspension. Air moves through worn scales; a single string trembles, then recedes. The sonic and the visual coexist within the same void, not as accompaniment, but as shared presence. Together, they recall not a homeland but a longing, not a narrative but an atmosphere: a fragment of light caught within shadow.

This work is part of an ongoing inquiry into perception, memory, and potentiality. The drawings, sounds, and silences are conceived not as discrete objects but as gestures within a broader exploration of how form and thought emerge from ambiguity. Rather than constructing place, the work inhabits the interval between emergence and disappearance, a terrain where cognition and emotion remain fluid.

In this Terreno Vago, context dissolves into gesture. What endures is not message but movement: a quiet choreography between eye and hand, sound and stillness, black and white.