Where Thought Hesitates
This body of work is conceived as a discrete object but also as part of an ongoing conceptual and perceptual enquiry. The images are invitations to dwell, to slow down, and to feel the pull of that which is not yet fully formed. As with my broader practice in drawing, sound, and text, the photographic essay emerges from a shared attention to threshold and ambiguity—a space where meaning is not declared, but suggested.
Each photograph is not simply a document, but a threshold. The series does not resolve; it remains open, gestural, and responsive to where we stand in relation to it.
EDITIONS
The photographs are artist-made prints on aluminium, in formats ranging from 30 × 40 in to 150 × 120 cm.
The making of the series is attentive to light, texture, and gesture: each shot arises from moments when surfaces subtly shift—when the eye might glance away but lingers.
The editions are limited, signed, and presented with a sense of intimacy and pause, rather than spectacle.
Size: 40 × 30 cm
Material: High-quality aluminum
Finish: Matte with natural sheen
Edition: Open
DESCRIPTION
This photographic series inhabits the liminal space between form and gesture. Across surfaces—fragmented walls, worn fabrics, metallic edges—the images freeze instants of becoming: folds not yet settled, paint peeling but not yet gone, structures caught in tension. At the core lies a preoccupation with potentiality—the state before completion, the threshold where the visible and the latent coexist.
Shot under varied light, each frame is a meditation on change in suspense: not on what has become, but on what is still possible. This is a visual language of the unfinished, an inquiry into how the world might be read through its quiet, almost imperceptible transmutations. In an age shaped by ecological precarity, speed, and fragmentation, such intervals of “almost” ask us to consider what futures we might glimpse before they materialize.