THREADS OF INTENTION
In this piece, philosophical optimism meets theatrical torment in a suspended, slow-burning landscape of sound. Inspired by Leibniz’s idea that suffering exists within a greater divine logic, it begins with a sense of cosmic order. Yet, as the sound unfolds,
Antonin Artaud’s raw, fractured vision disrupts that calm—offering not comfort, but a visceral cry from the body and soul
Hovering between these forces is a ghostly influence of delicate, drifting sound that shapes the piece’s slow, suspended time. Notes hover like ash, tones decay before they settle, and silence is not absence, but pressure.
This is not a piece that seeks resolution. It is a space of cohabitation between spiritual reason and intimate torment. The sounds do not argue. They witness. They coexist like oil on water—never merging, never quite separating. Time stretches, thought a liminal zone where the divine and the damned breath through the same uneasy hush.