The Grammar of Uncertain Things

These drawings inhabit a territory between writing, notation and image, where lines and marks gather into configurations that suggest the presence of an unfamiliar language. Their arrangements evoke systems of communication whose rules remain elusive, structures that appear intelligible without yielding to interpretation.

Through repetition, interruption and displacement, each composition establishes relations in which the distinction between gesture and sign becomes uncertain. A line may suggest a direction, a fragment may acquire the appearance of a symbol, and an accidental encounter may give rise to an unexpected order.

What emerges is not a language awaiting translation, but the possibility of meaning before its determination. The drawings remain open to associations that exceed any fixed system of representation, allowing thought to move among forms without requiring them to signify.