Where Thought Hesitates
At the center of these images lies a concern for potentiality, the state of things before they become what they are destined to be. The photographs trace surfaces, materials, and gestures that seem caught halfway through formation: folds of fabric before they settle, walls whose paint begins to peel, structures where fragility and solidity coexist. These moments speak less of completion than of beginning, of a becoming suspended in tension.
Without Origin / 2025
In modern times, dominated by issues of ecological precariousness, technological acceleration, and social fragmentation, the language of potentiality becomes urgent. To see the world not as something fixed but as a continuous unfolding means opening ourselves to alternative futures. A frayed net, a changing field of grass, or the edge of metal catching the light are not mere objects, they are thresholds, invitations to imagine what might emerge from instability, fragility, or resistance.
Unmade / 2025
When We Forget / 2026
“Potentiality is that which can be both being and non-being, that which always preserves within itself its own possibility.”
—Giorgio Agamben
In the Near Distance / 2024
Come in Attesa / 2024
What the Walls Remember / 2024
Come in Attesa / 2024
Soglia Piegata / 2025
Untitled / 2025
Untitled / 2025
EDITIONS
The photographs are artist-made prints on aluminium, in formats ranging from 30 × 40 in to 150 × 120 cm.
The making of the series is attentive to light, texture, and gesture: each shot arises from moments when surfaces subtly shift, when the eye might glance away but lingers.
The editions are limited, signed, and presented with a sense of intimacy and pause, rather than spectacle.
Size: 30 × 40 in to 150 × 120 cm
Material: High-quality aluminum
Finish: Gloss with natural sheen
Edition: Open
DESCRIPTION
This photographic series inhabits the liminal space between form and gesture. Across surfaces, fragmented walls, worn fabrics, metallic edges, the images freeze instants of becoming: folds not yet settled, paint peeling but not yet gone, structures caught in tension. At the core lies a preoccupation with potentiality, the state before completion, the threshold where the visible and the latent coexist.
Shot under varied light, each frame is a meditation on change in suspense: not on what has become, but on what is still possible. This is a visual language of the unfinished, an inquiry into how the world might be read through its quiet, almost imperceptible transmutations. In an age shaped by ecological precarity, speed, and fragmentation, such intervals of “almost” ask us to consider what futures we might glimpse before they materialize.